T.W. Adorno, G. Anders and the Representation of the End Time: Beckett in Auschwitz

Chapter
Publication Date:
2021
abstract:
Aim of the paper is to investigate the affinities and differences with which Adorno and Anders address the theater of Samuel Beckett, identified as the only possible form of artwork after Auschwitz.
Iris type:
Articolo in Volume
Keywords:
Anders; Adorno; Beckett; Holocaust; Aesthetics of theatre
List of contributors:
Handle:
https://irinsubria.uninsubria.it/handle/11383/2119312
Book title:
Remembering the Holocaust in Germany, Austria, Italy and Israel